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It is about a wolf named Harry who is kept in a zoo, and who entertains crowds by destroying images of German cultural icons such as Goethe and Mozart. Wise minds might argue the point as to whether he really was a wolf whether he had once, even before his birth, been transformed by magic from a wolf into a human being whether he had been born a human being but endowed with and possessed by the spirit of a lone wolf or, alternatively, whether his belief that he was in fact a wolf was merely a delusion or a form of sickness on his part.Īlso note that in 1928 Hesse published the short story "Harry, the Steppenwolf" (German: " Vom Steppenwolf") related to the novel. His human, bourgeois and conformist side of his personality struggles with his steppe-wolfish, lonely, socio- and culture-critical side of his personality (.)Īnd here is a quotation from Hesse's original text: My (poor) translation of the bold text is Haller leidet an der Zerrissenheit seiner Persönlichkeit: Seine menschliche, bürgerlich-angepasste Seite und seine steppenwölfische, einsame, sozial- und kulturkritische Seite bekämpfen sich und blockieren Hallers künstlerische Entwicklung. In Hesse's novel the Steppenwolf is the protagonist Harry Haller. in German with a special emphasis, and therefore I conclude that it refers to nothing else than Hermann Hesse's novel "Der Steppenwolf" which was published in 1927. The word Steppenwolf is written in italics with a capital "S", i.e. Kehr was a lonely operator, the Steppenwolf of German historical profession. The original phrase from Peter Gay's book is